the dirties
Nick: […]What I liked about Tony as a person is his acute observation of things which often leads to him learning something about cooking, or more often allowing him to build his lies even more. It’s almost like observation is his superpower. How has the art of observation helped when you do as editors?
Curt Lobb: For me, it’s all about being tuned into human faces and the little nuances that change in someone’s face, especially if they’re a really good actor and it’s not something overt. But, you need to be able to catch it, and if you catch it and put it on the screen, all humans can read it as well. It’s just about being the first one to make sure we’re bringing in all the best moments of nuance, I guess.
Robert Upchurch: I’ve noticed when I’m editing, it’ll be like late at night, I’m by myself looking at a screen in a dark room, and I’ve caught myself mimicking the faces that the actors are making, or responding without meaning to. But, I think that’s a good sign that you’re into it and feeling what the actors are giving, you know? That’s what is so great about editing, so much of it is just responding to what you’ve been given. And we were lucky with this movie and the performances we got.
Matt does the final Q&A about Tony at Cineplex Scotiabank Theatre on Sunday, August 16 2026.
Matt bikes over during his lunch break from filming Journalism 101 to answer some questions about Tony at Cineplex Varsity on Saturday, August 15 2026.
In recent years, Canadian director Matt Johnson has served up two unexpected exceptions to the biopic trap. His 2023 “BlackBerry,” about the rapid rise and fall of the breakthrough smartphone, is a workplace comedy turned late capitalist tragedy with a “Succession”-like lack of reverence for its subjects. And his new film “Tony,” about the summer a young Anthony Bourdain spent working in a Provincetown kitchen, works as a coming-of-age film, regardless if you know its miserable 20-year old protagonist, played by Dominic Sessa, will become the beloved writer, chef, and “Parts Unknown” host.
The podcast mentioned at the end of the article is linked below; the Spotify version includes full video of the interview.
To understand just how much of a game changer nirvanna the band the show is, it’s best to start with describing what it isn’t. It is not a sloppily spelled Kurt Cobain cover group. Nor is it an ode to Buddhist enlightenment. It’s not about a band or even a show, in the traditional sense. Instead, nirvanna the band the show is a new television series courtesy of Viceland – a wild, subversive, mostly unclassifiable work of new-media pastiche that might save its upstart network, cement the bona fides of its polarizing co-creator and, just maybe, revolutionize the Canadian television landscape.
*correction – Barry claims Matt and Jay are the same age at time of writing (32), but we believe technically Matt was 31, and Jay would have been 33.