homosocial relationships
“Australia?” he says, visibly stoked. “I’m a huge Aussiephile. Australia means a lot to me because I’m Canadian and I grew up skiing and snowboarding, which means I grew up skiing and snowboarding with Australians. I love …” – he draws a name out of his memory – “… Civic Video. I love Chris Lilley. He’s a major influence on me, major, major. Peter Weir, I probably love him too much.”
“Within 30 minutes, I was like, ‘Dom, we’re going to make this movie about Anthony Bourdain.’ It was us getting excited about exactly the things you see in the movie,” Johnson recalls. “A young man lying to create status. What’s it like to have all your self-worth tied up in how women see you. The power of homosocial relationships as a developmental tool. And then my job was to bring Bourdain into this conspiracy and read everything that he’d written and go, ‘Okay, let’s see where you agree with us.’”
“Don’t write where we’re eating,” Matt Johnson told me recently over a very tasty plate of chicken and naan.
It’s not that the 40-year-old writer-director doesn’t want to give some shine to one of his favourite local restaurants, which would not be a bad strategy considering he’s promoting a biopic about Anthony Bourdain, the two-fisted coming-of-age comedy “Tony,” shot on Cape Cod and starring Dominic Sessa as the late chef and gourmet media star.
Director Matt Johnson Didn’t Understand the Anthony Bourdain Hype When He Signed on for A24’s ‘Tony’
After BlackBerry, I was getting inundated with real-life stories, whether it was tech stories or some crazy real-life article that was being turned into a movie. The reason I made BlackBerry was not because I particularly like that style of story. I was compelled by the characters. This was no different. I was pitched an Anthony Bourdain movie, which had a script, and I was completely and totally uninterested. Mostly because, not only did I not want to make another real-life story in that way, but I don’t know anything about Anthony Bourdain. Then I went to New York and I had heard that Dominic Sessa had just moved there, and I’d always wanted to meet with him because I’m very interested in him as an actor. I really loved him in The Holdovers. I went to lunch with him and my producer Matt Miller, and an hour into this lunch we had come up with what the Anthony Bourdain movie was going to be.